music from the great white (2007)

o sweet spontaneous (2007)

home (2004)

weight (2002)

orange (2001)

cowboy (2000)

greyhound (1999)

for concert band; 11’30”

for orchestra (2[picc]22[b cl]2/4331/timp+2/str); 16’30”

for string orchestra; 8’00”

for orchestra (2222/4231/pno/timp+2/str[16,14,10,10,8]); 20’00”

for ensemble (fl, 2 cl, a sx, t sx, b sx, hn, trp, 3 trb, b guit, pno); 12’30”

for marimba and string orchestra; 12’00”

for baritone saxophone and jazz band (a sx, 2 t sx, 3 trp, flg, 3 trb, b trb, 2 el guit, drmkit); 15’15”

Score Excerpt

Joni Mitchell Never Lies: testaments and reflections improperly addressed (2006-7)

bifana mundi: a musical representation of life in plateau Mont–Royal (2004)

canto IV (1997)

for soprano and rock band (el guit, b guit, kit, perc, keybd); 38’00”

texts based on anonymous postcard, adapted and added to by the composer

for counter-tenor and ensemble (ob, hpsd/p org, vln, vla, vlc, db);18’00”

texts based on graffiti found in Plateau Mont-Royal, adapted by the composer

for amplified soprano and ensemble (2 cl, 2 a sx, 2 trp, 4 trb); 12’30”

text taken from La Divina Commedia by Dante Alighieri (c. 1315)

all that is solid melts into the air (2010)

guan (2007)

enso (2007)

a foregone conclusion… (2006)

abhaya mudra (2005)

stereo (2005)

soccer: in memoriam Hugh Kenner (2004)

solitude (2001)

slipping into madness is good for the sake of comparison (2001)

dang (2001)

d-day, baby… (1998)

dissect (1998)

flavour! (1998)

macrohype (1994)

for clarinet (B-flat and A) and string quartet; 15’00”

for electric guitar, viola, electric keyboard, and percussion; 15’00”

for clarinet, alto saxophone, and piano; 14’00”

for clarinet, violoncello, and piano; 10’00”

for saxophone quartet; 15’30”

for clarinet, percussion, violin, and violoncello; 12’00"

for ensemble (cl/b cl, trp, 2 perc, pno, vln, db); 12’30”

for string quartet; 15’15”

for clarinet, violin, violoncello, and piano;18’30”

for ensemble (fl, cl, trb, vln, pno/cel, perc); 11’00”

for 2 pianos and 2 percussion; 10’30”

for wind quintet; 6’45”

for piano and ensemble (picc/fl, ob, cl/b cl, bsn, hn, trp, trb, db); 10’15”

for alto saxophone, string quartet, and tape; 9’00”

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"2009" (2010)

manusa (2008)

gwan (2008)

the noise of carpet (2005)

timeless (2001)

melting architecture (2000)

sweat (1998)

“longing…” (1994)

for piano, four hands; 12’00”

for violin and electric guitar; 5’30”

for 2 electric guitars (or electric guitar and tape); 12’15”

for alto saxophone and piano; 8’30”

for drumkit solo;13’30”

for piano and electronic signs (“truisms” by Jenny Holzer); 29’15”

for violin and violoncello; 25’00”

for organ solo; 5’45”

Score Excerpt